Author: Mollie Ames

On a weekday morning during spring break, a group of first-year and second-year college students gathered around a patient whose condition began to change. The patient’s blood pressure was rising, breathing growing shallow. Sudden drooling. 

It wasn’t a real patient. Behind the scenes, an instructor controlled the simulation using a mannequin. But the patient’s recovery wasn’t the point. The students’ introductory glimpse to the field of medicine was.

For some students, this might have been a confirmation: Yes, this is exactly what I want to do. For others, the realization could have been a cooler response, which would be just as important: Maybe this isn’t for me.

That moment — of clarity, uncertainty, or recalibration — is what Tufts University hoped to spark with its new JUMP-IN pilot program, a weeklong, immersive experience designed to help primarily first-year and some second-year students step, however briefly, into the lives they think they want. Ask a room full of first- and second-year college students what they want to do after graduation, and many will have an answer: Doctor. Lawyer. Engineer. Ask them what those jobs actually look like, day to day, and the answers may resemble vague impressions, a composite of jobs observed on television and heard about through friends and relatives.

This gap — between aspiration and understanding — is not just anecdotal. Surveys from organizations like the National Association of Colleges and Employers (NACE) and Gallup have consistently found that while students feel pressure to choose a career path early, many lack meaningful exposure to what those careers entail. At the same time, research suggests that students who engage in experiential learning — internships, simulations, project-based work — are significantly more likely to feel confident in their career choices and to secure employment aligned with their interests after graduation. In other words, it’s not just about choosing a path. It’s about trying it on to see how it feels.

“We wanted students to begin to think about linking their interests to their academic learning to their career goals,” said Ellise LaMotte, the associate provost for student success at Tufts. The goal is not to arrive at definitive answers in a single week, but to develop the tools — and the self-awareness — to start asking better questions.

And just as importantly, students are encouraged to recognize when the answer might be, no thank you. “We did not want this program to just confirm what students already thought,” LaMotte said. “If someone came in thinking, ‘I want to be a doctor,’ and left realizing they didn’t —that was just as powerful.”

Learning by Doing 

Each JUMP-IN participant spends the week in one of five tracks, including pre-med and dental pathways as well as global policy, nutrition, and engineering-focused design. What unites them is a commitment to experiential learning. “The charge was that this needed to be hands-on,” LaMotte said. “The majority of the time was spent with them doing something.” 

In the Design Problem Solving (D.P.S.) track, that meant building structures out of melting Oreos — an exercise in material constraints and creative thinking. It meant working with modeling software, experimenting with 3D printing, and tackling real-world challenges. An open deck on top of the Tufts library was enclosed in glass so that it would be a safe place for students. But that design choice had an unexpected consequence: Birds were now flying into the glass. “One of the design flash challenges was: How can these students in this D.P.S. program for the week help to give some solutions to this problem?” LaMotte said. “So, it was a little tech heavy. But if you are somebody curious about how to solve problems, it would be appealing.”

For some, the experience was exhilarating. For others, it was clarifying in a different way. “There were students who realized, ‘This is harder than I thought,’ or ‘This isn’t what I imagined,’” LaMotte said.

In Global Policy Lab, students became senators in a climate policy simulation, debating legislation on a mock Senate floor at the Edward M. Kennedy Institute for the United States Senate in Boston. They explored the role of drones in international security and engaged with local officials on immigration policy. 

In the Pre Med Connect track, students practiced suturing and patient care, responding to dynamic simulations that required quick thinking and teamwork. In the Dental Bridge track, students performed tooth wax-up modeling, simulation shadowing, suturing, and align impressions. In the Beyond the Plate track, students conducted “nutrition myth labs,” explored food systems, and visited facilities researching lab-grown meat. Across all tracks, students were asked not just to absorb information, but to apply it — to make decisions, test ideas, and reflect on outcomes.

For some, the experience was exhilarating. For others, it was clarifying in a different way. “There were students who realized, ‘This is harder than I thought,’ or ‘This isn’t what I imagined,’” LaMotte said. “And that’s valuable.”

Building Belonging through Shared Exploration

If JUMP-IN is about career exploration on the surface, it is equally about something deeper: connection. The program, piloted this spring break with 94 first-year students, was intentionally designed to reach those who may not yet have found their place on campus.

“Some of them knew each other,” LaMotte said. “But there were some who didn’t know anybody — and those are the folks we really, really wanted to get in touch with.” The challenge is a familiar one. The first year of college is often framed as a time of discovery and belonging, but for many students, that sense of connection doesn’t come easily. Social circles can feel closed, academic interests uncertain, and the path forward unclear.

From the moment students arrive, the program nudges them toward interaction. They are encouraged to sit with people they don’t know. They work in teams. They share meals, experiences, and, by the end of the week, reflections.

Even small moments matter. On the first day, one student resisted moving from a table where he sat alone, confident that others would eventually fill the space, and they did. Over the course of the week, LaMotte watched him gradually open up — participating more, volunteering, engaging in ways he hadn’t at the start.

Those shifts, while subtle, are central to the program’s purpose. By the end of the week, 96 percent of participants said they would recommend JUMP-IN to a friend, citing connection and community as key reasons. And perhaps more significantly, 84 percent reported feeling more comfortable reaching out to mentors, advisors, or faculty — a critical step in navigating both academic and career pathways.

Measuring What Matters

By traditional academic standards, a weeklong program like JUMP-IN might be difficult to evaluate. There are no grades, so the metrics that matter are different: curiosity satisfied, realism gleaned. It’s hard to measure some shifts in attitude because they might only appear downstream later — in the form of keeping one’s eyes open more keenly or an increased willingness to make inquiries of someone who does something you just might want to know more about.

At the most immediate level, student feedback has been overwhelmingly positive. In addition to the 96 percent recommendation rate, students reported gains in career clarity, networking skills, and confidence in seeking support.

Thirty-two percent said the program led them to change their academic plans — a striking figure for a cohort just beginning their college journey. Another 38 percent reported feeling better equipped to leverage networks and support systems. Even exposure to research — a domain often reserved for upperclassmen — emerged as a meaningful outcome, with 17 percent of students reporting new experience in that area.

But the longer-term measures may prove even more significant. Tufts plans to track JUMP-IN participants and their progress over time, examining retention rates, academic trajectories, and career outcomes. Do students who participate feel more connected to the institution? Are they more likely to persist, to pivot when needed, to engage with mentors and opportunities? “We want to follow them along their path to figure it out,” LaMotte said. “They were in the JUMP-IN program and were interested in engineering; now they’re in political science. Why did that happen? Without surveying them to death, we would like to determine if JUMP-IN helped them make that change. Did they get support they need to be successful?” 

Lessons from the Pilot

Like any new initiative, JUMP-IN’s first iteration revealed areas for growth. The first was critical: using faculty to design and lead the program. “It took us a minute to figure out that faculty needed to run this and not staff. And once we made that decision, it made more sense because this is their area of expertise. Once we got faculty involved, we were able to really develop programming.” 

The most consistent feedback from students was the need for more unstructured time. The schedule, while engaging, was also intense. By midweek, small signs of fatigue had set in. “It was too structured,” LaMotte said. Future versions of the program will likely include more downtime and social activities — opportunities for students to build relationships outside of formal programming. “We need to give them more time to just connect and be with each other.” 

There were also logistical challenges, from coordinating transportation between campuses to managing meals while the campus is closed. But these are solvable problems, LaMotte noted, and, in some ways, evidence of the program’s scale and ambition.

Demand exceeded expectations, with 124 students applying for 100 spots. Plans are already underway to expand the number of tracks and increase capacity.

Perhaps the most ambitious aspect of JUMP-IN is what comes next. The program is envisioned not as a standalone experience but as the first step in a four-year developmental arc. Tufts plans to introduce sophomore, junior, and senior versions of JUMP-IN, each tailored to students’ evolving needs.

The first-year program focuses on exploration and connection. Future iterations may emphasize deeper skill-building focused on leadership, entrepreneurship, negotiation, navigation, along with civic impact and career development.

“We want it to grow with students,” LaMotte said, “and integrate JUMP-IN into the ethos of the undergraduate experience at Tufts.” 

In that sense, JUMP-IN reflects a broader shift in higher education — from viewing career development as a late-stage concern to embedding it throughout the undergraduate experience.

Capping the week, LaMotte was gratified to find the best evidence of the program’s success: In a session at the end where participants broke into sub-groups to share experiences, there was a buzz of animation in the room as students reflected on: what brought them joy, if their career focus changed, what skills they need to learn next, and how Tufts can further support them. For some, the experience reinforced a sense of purpose. For others, it raised new questions. But for all of them, it transformed an abstract idea — being this thing — into something tangible, complex, and real.

That transformation may be the most valuable outcome of all. Because the goal of programs like JUMP-IN is not to provide answers but to create encounters with possible futures and versions of themselves. In a higher education landscape increasingly defined by uncertainty, that kind of clarity — earned, and personal — may be just what students need to begin.

On a Monday evening in March, a few dozen students at the University of Pennsylvania trickled into a darkened classroom. Their professor, Justin McDaniel, greeted them at the front of the small lecture hall with two reminders: to pass in their phones and pick up the books they’d be reading that night. As the group traded in their tech for texts, McDaniel introduced their first author: Carson McCullers, a literary prodigy who wrote her first masterpiece at 23 and was dead by 50 following lifelong illness and chronic alcoholism. McDaniel said she was his “biggest crush” growing up. 

This is the tenth year that McDaniel, the chair of Penn’s religions department, has taught Existential Despair, a literature course that meets once per week for seven hours straight. Between roughly 5 p.m. and midnight, students typically hear a lecture on that day’s writers before settling in to read a book (or three) about human despair and concluding with group discussion. The lights in the room go off during those 11 p.m. conversations. No devices are allowed, ever. Only McDaniel knows what the reading will be before class starts. The rest can only expect it to be depressing.

Those skeptical that any students would be drawn to this dark experience will be shocked to learn it’s one of the most sought-after classes at Penn. This semester, McDaniel said, he fielded more than 500 requests — 80 more than last year — to fill 45 spots. The course’s general mystique no doubt contributes to its appeal, as would the lack of graded assignments. Arguably the most discussed reason for the class’s success has been its format forcing Gen Zers, with their ever-shrinking attention spans, to “read again.” But the urge to reclaim a childhood love of reading may offer only a partial explanation. By embracing a new and unusual approach to learning, and maybe even living, students are participating in an intensely present and explicit quest for meaning.

Choosing Despair

Students in Existential Despair read provocative texts from around the world and across time periods — from McCullers’ “The Ballad of the Sad Café” to contemporary French novelist Marie NDiaye’s “Self-Portrait in Green” — whose central experiences with despair compel readers to turn inward. In contemplating characters’ struggles with isolation, anxiety, and grief, McDaniel’s students end up questioning what they themselves want from this short and often cruel life. What really matters to them? And who do they want to be?

When he first started teaching Existential Despair, McDaniel was already well aware of young people’s hunger for meaning. For one, he’d devoted part of his own 20s to living in remote Thailand as a Buddhist monk. More recently, over the last 24 years and across three universities, he’s taught another unconventional but highly popular course, Living Deliberately, which is an introduction to monasticism. In addition to weekly lectures, the class requires students adopt certain elements of the ascetic lifestyle, like waking up at 5:30 a.m. and adhering to restrictions in their dress, drinking, and communication. For one month, they make a vow of silence, meaning no speaking or technology use whatsoever.

The last time McDaniel ran Living Deliberately, there were 200 people vying for 14 openings. He characterized the applicants as typically non-religious but envious of those who are, and looking for “something real and something dedicated” to guide their lives. “In a chaotic world, in a very highly competitive world,” McDaniel said, “students often seek order; they seek predictability.” 

Young people don’t want to simply settle for a fate that’s defined by “joining this club, aiming for this promotion, deciding on the Lexus versus the Acura.”

Increasingly, students’ reasons for enrolling in Existential Despair seem to mirror those for Living Deliberately. In the beginning, McDaniel said, he chalked up the interest in Despair mostly to its “weird and cool” structure — the midnight meetings, the lack of syllabus or tests or papers. But lately, he’s noticed a particular drive among students to be better read and to get off their screens. They seem eager for a new and more purposeful way of engaging with the world. 

Kayla, a senior taking Existential Despair this semester, said she was first pulled toward the class because it was as different a learning experience as she could imagine. With an eye toward her impending graduation, the engineering major had been feeling herself “grinding away” and wondering whether there wasn’t more she might want from her life. For the last year and a half, she’s gone as far as to embark on what she called a “personal crusade,” trying to rediscover old hobbies, including reading, and reduce her technology dependency. “Just because school is a little soul crushing,” she said. She’s just recently traded in her iPhone for a flip phone. 

Existential despair, as a phenomenon, is one way of framing this kind of restlessness with the status quo. We all confront the precarity of our mortality at some point, McDaniel said, adding that Buddhists believe life is just a series of distractions to avoid that most fundamental and disturbing truth. “Because we know it’s just getting up, eating, and going to sleep. We kind of know it,” McDaniel said. “And that’s why we’re desperate for gossip or we’re desperate for award shows.”

But the Kaylas of the world aren’t ready to cede their lives to the distractions. She, like many of McDaniel’s students, would rather pull back the curtain on the darkness of being alive and learn to sit with those feelings. Because, however unsettling, wading in promises something elusively more meaningful than turning away. Especially as they move further into adulthood, McDaniel said, young people don’t want to simply settle for a fate that’s defined by “joining this club, aiming for this promotion, deciding on the Lexus versus the Acura.”

Technology is of course one of the most obvious distractions for college students. And with the rise of A.I., they’re seeing the online universe expand at the same time that it seems to be becoming less trustworthy. “I’m not disturbed because I don’t trust it at all,” McDaniel said of the internet. “But they actually do trust it. And so for them, it’s like you’re taking away the world.” That’s part of the reason he thinks they want to invest more in their physical reality. “I think it’s really, really hard on them, and they’re craving, craving for something genuine.”

At Penn specifically, many who come into McDaniel’s class are also contending with the weight of an omnipresent achievement culture. Kayla spent the last four years devoted to her studies and chasing success in preparation for a career she isn’t sure will make her happy anymore. Grace Burke, a current first-year in Existential Despair, had been struggling to adapt to what she called Penn’s East Coast focus on “what you do,” as opposed to her own Mid-Western mindset that prioritizes “who you are.” In her first semester, she was rejected from all the extracurriculars she hoped to join and watched as her nice new friends seemed to be consistently more successful. “I just was very confused — found myself very lost — in what’s important about my identity in a very new place and environment,” she said. She’d started to question whether she was even at the right school.

Finding Humanity

In many ways, Justin McDaniel could be a character in one of the novels he teaches, starting with the fact that he’s, well, complicated. At first glance, his all-black uniform, resistance to eye-contact, and intense intellectuality might make him seem the quintessential brooding Ivy League philosopher. But as is so often the case, there’s more to uncover from there. His office door, for example, is the only one in its hallway covered in a colorful smattering of sticky notes, printed-out poems, even an endearing meme. Inside, his space overflows with floor-to-ceiling books and art. As a lecturer, he walks around the room engaging his audience in an excitable manner that often involves cursing about authors and/or students. “I see blank faces,” he said after introducing one writer in particular. “Oh fuck. Oh my fucking God. I’m about to get so angry.” He wasn’t, really.

For some, McDaniel’s unapologetic, unfiltered way of being and teaching is refreshing; for others, it’s off-putting. In Existential Despair, his irreverent commentary tended to elicit chuckles from his audience that sounded torn between entertained and uncomfortable. “I think he’s a very controversial person in general,” Grace said. For her, McDaniel was a main draw to the class because he struck her from the beginning as a professor worth learning from. “He’s very flawed, and we all are, but he’s very candid about it. And I think he would like to show us authors and people who are also very flawed and also very candid.” 

Several students commented on how McDaniel’s authenticity helps build an environment where everyone can let their guard down — where there’s not as much pressure to be or act the smartest. In interviews with course applicants, for example, he doesn’t seem interested in assessing their intellectual prowess. Instead, he asks them to create a drawing based on a poem he reads to them or to write a poem on the spot themselves. The general unpredictability of the class — the fact that students don’t know what they’ll be reading — also means they couldn’t prepare if they wanted to. They just have to be. Sometimes McDaniel makes other changes without notice. Once he held the entire session in silence. Another class they spent in a cemetery.

The books, though, are the primary teacher in this course. McDaniel’s bet is that by delving into the experiences of some of the most troubled characters in some of the darkest literature, students will gain perspective on themselves and the world. He’s not suggesting that the novels or authors he selects offer good life advice, just that there’s insight to be found in the human condition. “You learn from when things go wrong, and that’s what good fiction will give you. Film does it well, too, and music does it well. Art does it well. So it doesn’t matter the medium as much. It matters that it’s complex and thoughtful.” 

In McDaniel’s world, the places young people typically seek guidance — like their friends or the internet — will simply never measure up to the wisdom of a whole human history’s worth of art and literature. “I have no idea why you would spend $92,000 in tuition to get life advice from another 19-year-old,” he said. A similar way of thinking can apply to online content. “I can’t trust a video I see on the internet, but I can trust James Baldwin,” he said. “I mean, Somerset Maugham or Sheila Heti on relationships is much better than any junk advice you would get in the manosphere. It’s just better advice, even though it’s a hundred years old.”

“I can’t trust a video I see on the internet, but I can trust James Baldwin.”

Grace said one of her favorite reads in the class so far has been “In Grand Central Station I Sat Down and Wept” by the poet Elizabeth Smart. (Others mentioned “The Passion According to G.H.” by Clarice Lispector, “The Book of Illusions” by Paul Auster, and “A Sheltering Sky” by Paul Bowles.) In “Grand Central Station,” Smart details her obsession with her lover and fellow poet George Barker, with whom she had four children but never married. In total, he had 15 children with four different women, just one of whom was his wife. “It kind of knocks you flat, in terms of who are you to judge?” Grace said of Smart’s book. “She really committed to a path that she felt was right, and she carried that conviction every single day. And there’s just this sort of unwavering intensity to the book that I find really compelling.”

One common outcome for students in the class seems to be a sense of gratitude. For senior Gabe Agüero, the breadth of new experiences and perspectives he’s been exposed to have opened up a range of new possibilities to think about when it comes to his own life. Studying finance and A.I. at the Wharton School, Gabe had been accustomed to defining himself based on the career path, and ideally success, he was headed towards. “This is almost making me realize that there’s more to life and there’s more to appreciate,” he said. “It just kind of made me think more about what do I want for my life? And I still don’t have that answer, but it’s definitely making me reconsider, and it’s allowing me to see what I want my life to be in a completely new lens.”

For the most part, McDaniel said, he has no interest in what, precisely, his students learn. “I have no learning goals. I’m consciously against them,” he explained. Instead of outcomes, he’s focused on the learning process. That’s what education is all about, he insists. “It is about complexity. It is about negative capabilities. It is this conscious and unforgiving and unapologetic exploration of things we don’t know and the desire to keep unknowing.” 

At the same time, McDaniel does have a vision whereby his middle-aged, former students better withstand their inevitable struggles. “I want my students, when they’re 45 or 55, when they’re dealing with a lot of these really existential problems, not to turn towards bourbon or hitting their spouse or screaming at their kids or storming out of a job or getting addicted to opiates,” he said. He imagines when they end up dealing with life’s least comfortable moments, his students might turn to books, or other resources, to move forward.

The most paradoxical aspect of McDaniel’s course may be that the distressing material his students read isn’t making them prone to hopelessness, or worse, defeatism. The effect is quite the opposite. “Some of the books we’ve read are quite disturbing in really sad ways. I’ve cried at some of the books,” Kayla said. “But no, I don’t find it depressing at all, and I don’t know if anyone actually does.” 

“I leave each class either reflective and pensive, or happy.”

You can reach LearningWell Reporter Mollie Ames at mames@learningwellmag.org with comments, ideas, or tips.